Between subsequent month’s Beethoven Festival and turning into a new father, NAC Orchestra musical director Alexander Shelley goes to be severely double-booked.
Shelley, 38, and his spouse Zoe, 29, expect their first baby, a boy. Zoe is 37 weeks pregnant and labour induction is scheduled to happen Monday.
Two-and-a-half weeks later, on Sept. 13, the orchestra launches its 2018/19 season with a 10-day competition of Beethoven’s music that entails Shelley conducting the orchestra throughout a sequence of 4 live shows that will cumulatively current all 9 of Beethoven’s symphonies.
When Shelley was interviewed this week, earlier than the determination to induce was decided, he kidded about this dizzying confluence of his profession and private life. “The first question I get is if we’re going to call him Ludwig, and the answer is no,” Shelley stated.
The ordinary preparations have been made for the baby’s arrival, he continued. “We’re kitted out. We have the crib and we have the pram and we’ve got lots of little baby clothes and diapers and everything that we’re going to need. And now we just need a little portion of good luck so that everything goes well.”
The baby’s due date was Sept. 10, which might have been smack in the center of NACO’s rehearsals. The NAC had a contingency plan in case Shelley needed to put household first, and employed Tania Miller, a famend Canadian conductor, to be in Ottawa on standby.
The anticipating mother and father met greater than a decade in the past, when Shelley was conducting the National Youth Orchestra of Great Britain, his homeland, and Zoe was a teenaged cellist. A chemistry grad, Zoe is now a private coach and health mannequin who was an extra in final yr’s Wonder Woman film.
When Alexander got here on board as the NAC Orchestra’s new maestro in the fall of 2015, Zoe was nonetheless based mostly in London, and they have been making an attempt to work out the way to share their lives.
It appears that Shelley, in the blush and exhaustion of new fatherhood, will have the ability to sit up for presenting all 9 of Beethoven’s symphonies throughout the competition’s run, providing listeners what he known as a “bucket list” expertise.
Shelley stated there are a number of causes for making NACO’s performances of the symphonies the backbone of the competition.
One issue, he stated, was the current renovation of Southam Hall, which this summer time was outfitted with a new orchestral shell. New woods and supplies will change the acoustics in the corridor for each viewers and performers, and Shelley thought that presenting Beethoven’s symphonies, which many NACO regulars will know pretty properly, would permit for some fascinating before-and-after comparisons to be made with respect to the acoustics.
In their very own proper, the symphonies are “one of the focal points of any orchestra’s repertoire, something you continually need to revisit and refresh and refine,” Shelley added.
He stated he expects to method the symphonies from a “slightly different angle” in comparison with the tack his predecessor at the orchestra’s helm, Pinchas Zukerman, may need taken.
Shelley stated that the music flowing from his method could be “brisk and quick, energetic and lithe … it’s going to be sometimes disturbing, the sharp edges are not going to be rounded out.”
Girding this method are the tempo markings that Beethoven added to his symphonies in 1817 following the invention of the metronome — even when adherence to these tempos and the interpretations that circulation from them are contentious, Shelley stated.
“There’s a school, which is absolutely plausible, that says these tempi from him are way too quick, it all needs much more time to breathe, and to sound rich and nice and sonorous and singing.”
But of the interpretation that he will attempt for, Shelley stated: “It is no better, no worse, it is a way of engaging with this music which is so multi-faceted, and can easily carry so many different interpretations.”
Shelley additionally linked his tackle the symphonies with accounts of Beethoven as marvellous pianist who savoured extremes throughout his performances, in addition to to Beethoven’s famously cantankerous persona.
“As a person, he was difficult. He had a lot of reasons to be difficult,” stated Shelley. “He was a person who shocked and challenged and pushed extremes.
“One of the issues that I wish to draw out in our performances are these contrasts — these extremes of dynamic contrasts, these excessive tempos that on the web page appear like they’re approach too quick. But it’s deliberate. He’s making an attempt to push issues. He’s making an attempt to shock his viewers and seize them by the scruff of the neck.”
Whatever you consider Shelley’s interpretation, the competition will additionally attempt to reply, via quite a few pre- and post-concert discussions free to the public, the query of what makes the symphonies as canonical as they’re.
Beethoven’s symphonies, Shelley stated, “are a little bit like Shakespeare’s plays. Everybody knows that they’re great, but the question of why is not always posed.”
Completing the competition at the NAC are different free-admission displays outdoors of Southam Hall, together with noon-hour live shows from Sept. 14 to 22 that includes quite a lot of string quartets and “piano marathons” on Sept. 21 and 22 throughout which Ottawa-area music college students and amateurs will carry out Beethoven’s sonatas and different compositions.
On Sept. 16, there will even be household leisure offered by the duo known as Marjo2 — NACO violinist Marjolaine Lambert and NACO bassist Marjolaine Fournier — who will don the costumes of their alter egos for a unusual, comical present known as Ludwig van Cranky Pants.
Maybe this final present is one thing that Shelley may take pleasure in years down the street along with his spouse and son if it’s re-staged?
“Oh yes, that would be fun … I’d love that,” Shelley stated.
When: Sept. 13 to 22
Where: National Arts Centre
Info and tickets: nac-cna.ca