From the 75 live shows that type a tangled thicket of programming on the Music and Beyond pageant that runs from July four to 19, Peter Hum selects eight which can be price your consideration, whether or not your tastes run to opera, choral music, baroque, violin or piano mastery, and even comedian reduction.
Dido and Aeneas
July four, 7:30 p.m., Dominion-Chalmers United Church
July 5, at midday at St-François-de-Sales, Gatineau and 7:30 p.m. at Saunders Farm
Music and Beyond begins with a positive baroque-opera flourish. The 1680s piece by British composer John Purcell shall be offered 3 times in numerous places, with an all-star forged of vocalists together with Wallis Giunta or Ellen McAteer as Dido, supported by the choir and orchestra of the celebrated Montreal-based Theatre of Early Music.
Five Sides of Marc Djokic
July 5, 2 p.m.
The Halifax-raised, Montreal-based violinist Marc Djokic involves Music and Beyond having obtained final 12 months’s $125,000 Prix Goyer, the largest prize in Canada for classical music. At his live performance in Ottawa, Djokic will display not simply his high quality but in addition his range, with a program that may embrace some music from Gershwin’s Porgy and Bess carried out with pianist Julien LeBlanc, modern music for violin and two guitars, duets with marimba participant Beverley Johnston and even a bit for violin with electronics. Djokic and Johnston may even play a live performance of their very own, joined by Ottawa cellist and Music and Beyond inventive director Julian Armour, on July 6 at 7:30 p.m. at Dominion-Chalmers United Church.
Whose Opera Is It Anyway?
July 6, 7:30 p.m., NAC Fourth Stage
July 7, 10 a.m., Tabaret Hall, University of Ottawa
True to the “beyond” facet of the pageant, this distinctive Toronto-based manufacturing combines opera with improv comedy. Its skilled opera singers will sing about nearly something, or carry out a well-known opera in below three minutes. These may very well be gateway live shows for the classical music neophyte.
Julie Nesrallah and Caroline Léonardelli
July 7, 1 and four p.m.
July eight, three p.m.
National Arts Centre, Rossy Pavillion
At three Music and Beyond live shows, longtime collaborators Julie Nesrallah, the Ottawa-raised, Toronto-based mezzo-soprano, actress and broadcaster, and Ottawa harpist Caroline Léonardelli group up to launch Un Sospiro, their new CD, which is a set of Italian artwork songs by the likes of Verdi, Puccini and others. While all the songs have been initially composed for piano, some offered on this venture obtain their premiere on the live performance harp due to Léonardelli.
July eight, 7:30 p.m.
Dominion-Chalmers United Church
A latecomer to piano research who solely started on the age of 16, the Russian-born Kharitonov developed his skills rapidly and even took first prize at each the Liszt International competitors and the Rachmaninoff competitors. His wide-ranging Ottawa solo live performance will embrace two Bach preludes, works by Schubert and Rachmaninoff, and the whole lot of Mussorgsky’s Pictures at an Exhibition. Kharitonov may even seem in three different Music and Beyond live shows, together with two by the Madrid-based string quartet Cuarteto Quiroga, on July 10 and 11 at 7:30 p.m. at Dominion-Chalmers, and a closing look with a small ensemble that features Ottawa cellist Julian Armour on July 12 at midday at Dominion-Chalmers.
Handel’s The Triumph of Time and Truth
July eight, 7:30 p.m.
St. Joseph’s Church
For his final oratorio, the 1757 work The Triumph of Time and Truth, Handel radically revised his very first oratorio, which was written 50 years earlier. While critics disagree concerning the work’s place within the canon, Handel biographer Paul Henry Lang wrote of it: “It should be heard, for it is an admirable summary of Handel’s entire musical career.” Starring on this efficiency shall be 5 vocalists together with soprano Shannon Mercer, an Ottawa native now based mostly in Toronto, the Ensemble vocal-arts Québec and Ensemble Caprice.
July 15, 7:30 p.m.
First Baptist Church
A number of years in the past, the Spectator journal posited concerning Christian Blackshaw: “Is this 65-year-old British pianist the next big thing in classical music?” His is a narrative of recognition and achievements delayed by tragedy. In 1990, Blackshaw’s spouse died of most cancers, and the widower put elevating his three daughters first and his promising musical profession second. In Ottawa, Blackshaw, who solely started recording a couple of years in the past, will carry out works by Schubert and Schumann.
July 15 and 16, 7:30 p.m. nightly
Dominion-Chalmers United Church
Tickets are promoting briskly for the live shows that includes British composer John Rutter, who will conduct a live performance that includes a few of Ottawa’s best vocalists and musicians performing his music. On this system is Rutter’s large-scale work Magnificat, that includes Ottawa-raised soprano Mireille Asselin, the Capital Chamber Choir, the Elmer Iseler Singers, Thirteen Strings. Violinist Kerson Leon shall be featured on Rutter’s Visions, which was written for the Ottawa-raised prodigy. (Leong himself shall be featured throughout a day solo live performance on July 12 at Saint Barnabas, Apostle and Martyr Anglican Church, throughout which he’ll carry out Eugène Ysaÿe’s six sonatas.