Cross-Canada Jazz Checkup II (Carlos Jiménez, Simon Legault albums reviewed)

Don’t Fall (self-released)
Carlos Jiménez Quintet

The 5 Montreal-based musicians on guitarist Carlos Jiménez’s lately launched album Don’t Fall are exceedingly well-schooled. All have both a Master’s diploma, or a bachelor’s diploma, or each, from McGill University’s jazz program. Come to think about it, Jimenez and his bandmates are additionally, like so many jazz gamers lately, revered educators.

But there’s little or no tutorial or ivory tower concerning the music on Don’t Fall. Granted, on Jiménez’s album there are selection tunes by Wayne Shorter (Virgo) and Hank Mobley (East of the Village) that attest to jazz erudition. Indeed, McGill, particularly some years in the past when the guitarist, alto saxophonist Alexandre Côté, pianist Pierre François, bassist Dave Watts and drummer Dave Laing respectively attended, was recognized for enshrining bebop, hardbop and postbop on its curriculum.

Still, what shines by way of on Jimenez’s album is how a lot he and his friends have internalized the jazz custom, making its fireplace, move and swing their very own.

The bulk of Don’t Fall consists of six originals by Jimenez. The album opens with Keep It Simple, a meaty, swinging tune with a piquant, yin-yang sense of concord. Come solo time, Jimenez is poised and incisive after which Coté is swaggering and passionate. The title monitor expenses more durable and quicker, swapping episodes of bracing swing and punchy funk earlier than Jimenez, Côté and François showcase the bopping eloquence they’ll muster at a brilliant tempo.

The Fifth Element is a twisty 5/four minor blues that retains the album’s stress excessive till the fragile Shorter-penned ballad releases it. Côté sits this one out, permitting Jiménez along with his glowing sound after which François to step ahead.

Still Ringing, Jiménez’s tribute to the late Montreal guitarist Richard Ring, is a three/four contrafact on This Is New, which provides bassist Dave Watts with a wending harmonic path to barter earlier than Côté torches the joint and Jimenez and François provides extra burnished solos.

While Jiménez on his web site describes Don’t Fall as an album “inspired by the jazz of the 1960s,” I believe there’s an interesting contact of the 1990s to the theme of The Process, which admittedly pivots again to rangy swinging.

Samba New Life is the disc’s bouncy penultimate quantity. To shut Don’t Fall, Jimenez provides a devoted rendition of saxophonist Mobley’s tune East Of The Village.

Jiménez and his quintet launch Don’t Fall on Friday, Sept. 6 at 6:30 p.m. at Diese Onze in Montreal. If I might, I’d plant myself down in a seat there and brace myself for an thrilling, invigorating set.

Liminal Spaces (Effendi Records)
Simon Legault

The final time I heard from Montreal guitarist Simon Legault was just a few years in the past, when he put out his impressively trendy quintet album referred to as Hypnagogia Polis.

With his new album, Liminal Spaces, Legault has shifted gears and even downsized. His enjoying and composing are nonetheless up to date in sound and idea, however he’s presenting them now in a trio format, with bassist Adrian Vedady and drummer Michel Lambert.

While Vedady performed on Legault’s earlier disc, veteran Montreal drummer Lambert is seemingly a more recent collaborator for Legault, who says that Liminal Spaces and its materials grew out of weekly periods with Lambert and a variety of bassists.

You would possibly guess then that Legault needed to see what sparks would fly from the mixture of his personal glowing, agile enjoying and Lambert’s rugged, free-spirited drumming.

The hour-long album consists of 13 tracks, of which 4 are solo items which are thick with the form of thriller, ambiance and class fan of guitar genius Ben Monder would heat to.

The album’s trio preserve that rarefied vibe, from the surging title monitor that opens the disc with a mixture of reverb-y spaciousness and charged, tensile enjoying,….

to the open swinging tune Inflexion…

to A Moment Ago, which begins as a plaintive rubato ballad however isn’t afraid to extend its stress.

Legault is a guitarist who likes to swim in deep musical waters. Given the readability, expressiveness and move of his enjoying, he’s in a position to take listeners with him on his explorations.

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