[Read an interview with Ms. Barr, during which she touches on her and her character’s assist of President Trump.]
But as viewers flocked to “Roseanne,” to the delight of ABC executives, Ms. Barr returned to Twitter. None of her posts threatened the present’s success, though some did entice scrutiny. One of Ms. Barr’s messages accused a survivor of the highschool capturing in Parkland, Fla., of giving a Nazi salute; one other concerned a conspiracy principle about Mr. Trump quietly breaking apart a baby intercourse trafficking ring together with outstanding Democrats.
ABC was capable of sidestep controversy in each cases.
“You can’t control Roseanne Barr,” Ben Sherwood, the president of Walt Disney Company’s and ABC’s tv group, mentioned in an interview with The New York Times in March, when requested about her Twitter account. “Many who have tried have failed. She’s the one and only.”
There have been different sources of controversy.
The revival’s third episode featured a joke about two ABC comedies with numerous casts, “black-ish” and “Fresh Off the Boat.” Ms. Barr’s character and her husband, Dan, performed by John Goodman, get up on the their lounge sofa, having fallen asleep in entrance of the tv. “We missed all the shows about black and Asian families,” Dan Conner mentioned. To laughter from the present’s studio viewers, Roseanne Conner responded, “They’re just like us. There, now you’re all caught up.”
[The “Roseanne” revival recommended that “as long as you’re good to your neighbors individually, it doesn’t matter how you treat people in the aggregate,” wrote our critic.]
The joke prompted an outcry however ABC defended the present. “We felt writers were looking to tip a hat to those shows,” Ms. Dungey mentioned this month. “It certainly wasn’t meant to offend. I do stand by the ‘Roseanne’ writers.”
Even because the “Roseanne” revival skilled success, ABC’s relationship with the “black-ish” showrunner, Kenya Barris, deteriorated. The community made the uncommon resolution earlier this 12 months to drag an episode of the present, which is understood for its frank evaluation of race relations. The episode concerned the principle character, Dre, elevating socially fraught points whereas telling a bedtime story to his son. Mr. Barris is in negotiations to go away his ABC contract and start working with Netflix.