The Jazz Standard beckons (or, 20 or so great reasons to make a jazz journey to New York this fall)

I’m simply a few days again from the jazz-saturated finish of my summer season trip and I’m already pondering of taking a jazz-centric getaway within the fall.

The motive: I acquired a itemizing for this fall’s bookings on the Jazz Standard in New York.

If that membership isn’t amongst your favourites, it must be. I’ve been a huge fan of it for nearly twenty years, ever since I caught gigs there by the guitarist Peter Bernstein’s quartet with Brad Mehldau, Larry Grenadier and Bill Stewart, and later by the trio of Bernstein, organist Larry Goldings and Stewart. (No factors for determining who considered one of my favorite guitarists is.)

And then there are the Jazz Standard reveals that I’m glad have been preserved on the Internet, a few of that are….

Last fall, Ottawa pianist Steve Boudreau and I indulged in a New York jazz getaway primarily based on a focus of very promising reveals. Among the various that I took in, as well as to pianist Fred Hersch’s Leaves of Grass live performance at Jazz at Lincoln Center have been a number of reveals on the Jazz Standard.

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One of them was a set by Tim Berne’s Snakeoil, the maverick alto saxophonist’s enigmatic however enthralling band that blends knotty compositions and preparations with unfettered improvisation at a world-class stage. In true maverick style, the group performed new materials relatively than items from its just-released ECM album Incidentals. A number of nights later on the Jazz Standard, I caught the powerhouse group of drummer Antonio Sanchez, which included the terrifying frontline of Chris Potter and Danny McCaslin, plus bassist Matt Brewer, tearing via unique music and  even Thelonious Monk’s I Mean You. My pal Dan Bilawsky reviewed that tumultuous set here.

But the present on the Jazz Standard that’s finest etched in my reminiscence is trio set from pianist Ethan Iverson, bassist Ron Carter and drummer Billy Hart. I appear to recall Iverson drolly asserting that his assembly with the 2 jazz elders was “just another Tuesday night in New York”, or phrases to that impact, belying the giddiness that he felt being up there. Indeed, Iverson later instructed me that his poster for the gig jokingly in contrast taking part in with Carter and Hart to reaching the last stage of a online game.


poster for Ethan Iverson’s Sept. 2017 trio gig on the Jazz Standard

Mind you, Iverson and Hart have been taking part in collectively for a whereas, notably in Hart’s rousing quartet that additionally contains saxophonist Mark Turner and bassist Ben Street. But Iverson’s affiliation with Carter is newer, and on the Standard, Iverson introduced that Carter was one of many reasons that he was in jazz. The trio performed a refreshing off-the-cuff set, largely calling requirements equivalent to Just Friends, The Shadow Of Your Smile, Lover Man, Strike Up The Band, Wee, Blue Monk and Billie’s Bounce. But Iverson and firm additionally performed Hart’s tune Irah, which prompted Carter to give its composer a look of approval as soon as he had performed it, plus Carter’s items Little Waltz and Einbahnstrasse.

For my half, this go to to the Jazz Standard marked the primary time that I’d heard Carter in the identical room, and the affect of that was appreciable. I may not have been as happy as Iverson was, however I used to be nonetheless struck to hear the signature qualities of Carter’s taking part in up shut. After the set, when Carter departed the membership, he waved at well-wishers at their tables, together with myself and Steve. I used to be reminded of that closing scene of Fantastic Mr. Fox, during which the majestic canis lupus waves on the title character and his cohorts.

This September, on the 18th, to be precise, Iverson is again on the Jazz Standard, however with saxophonist Turner, to have a good time their forthcoming ECM launch Temporary Kings. That’s only one gig that I’d love to catch amongst many who tempt, together with new bands led respectively by pianists Danilo Perez and Kenny Werner and drummers Brian Blade and Mark Guiliana. That’s not to point out the annual custom of composer and bandleader Maria Schneider bringing her orchestra to the Jazz Standard in the course of the week of American Thanksgiving.

The full record is under. I’m certain you will notice no less than a few reasons to make the journey to New York this fall.

Aug. 30 to  Sept. 2
Cyrus Chestnut Trio
Cyrus Chestnut – piano
Buster Williams – bass
Lenny White – drums

Sept. four and 5
Steel House
Scott Colley – bass
Edward Simon – piano
Brian Blade – drums

Sept. 6 to 9
Steve Wilson & The Analogue Band
CD Release: Sit Back, Relax, Unwind
Steve Wilson – alto saxophone
Ray Angry – piano
Ben Williams – bass
Willie Jones III – drums

Sept. 11 and 12
Marquis Hill Blacktet
CD Release: Modern Flows Vol II
Marquis Hill – trumpet
Josh Johnson – alto saxophone
Joel Ross – vibraphone
Junius Paul – bass
Jonathan Pinson – drums

9.13-9.16
Rufus Reid Quartet
Recording dwell CD at Jazz Standard
Rufus Reid – bass
Yosvany Terry – alto saxophone
Steve Allee – piano
Duduka da Fonseca – drums

Sept. 18
Ethan Iverson/Mark Turner Duo
ECM CD Release
Ethan Iverson – piano
Mark Turner – tenor saxophone

Sept. 19
Davina and the Vagabonds
CD Release: Nicollet and 10th
Davina Lozier – piano & vocals
Zack Lozier – trumpet & vocals
Steve Rogness – trombone & vocals
George Marich or Andrew “Dizzy” Gillespie – drums
Liz Draper – bass

Sept. 20 to 23
Theo Croker
Sony CD Release: Star People Nation
Theo Croker – trumpet
Irwin Hall – alto saxophone, alto flute
Michael King – keyboards
Eric Wheeler – bass
Kassa Overall – drums

Sept. 25 and 26
Mark Guiliana SPACE HEROES
Mark Guiliana – drums
Chris Morrissey – bass
Jason Rigby – tenor saxophone
Mike Lewis – tenor saxophone, synthesizer

Sept. 27 to 30
Freddy Cole Quartet
Freddy Cole – piano, voice
Randy Napoleon – guitar
Elias Bailey – bass
Quentin Baxter – drums

Oct. four
Walking Distance that includes Jason Moran
Caleb Wheeler Curtis – alto saxophone
Kenny Pexton – tenor saxophone
Jason Moran – piano
Adam Cote – bass
Shawn Baltazor – drums

Oct. 5 to 7
Kenny Werner Quartet
Kenny Werner – piano
Dave Liebman – saxophones
Esperanza Spalding – bass
Terri Lyne Carrington – drums

Oct. 11 to 13
Danilo Perez PCP
Danilo Perez – piano
Avishai Cohen – trumpet
Chris Potter – saxophone
Larry Grenadier – bass
Nate Smith – drums

Oct.  9 to 21
Brian Blade Life Cycles
Brian Blade – drums
Jon Cowherd – piano
Monte Croft – vibraphone and vocals
John Hart – guitar
Myron Walden – saxophone
Doug Weiss – bass

Curiously, a shut facsimile of this band was lively virtually 15 years in the past because the Subterranean Sextet, YouTube suggests:

Oct. 25 to 28
Christian Sands
Mack Ave. CD Release: Facing Dragons
Christian Sands – piano
Eric Wheeler – bass
Jonathan Barber – drums
Caio Afiune – guitar
Keyon Harrold – trumpet
Marcus Strickland – saxophone

Nov. 15 to 18
Sean Jones Quartet
Sean Jones – trumpet
Orrin Evans – piano
Luques Curtis – bass
Obed Calvaire – drums

Nov. 20 to 25
Maria Schneider Orchestra: Annual Thanksgiving Week Residency

Nov. 27 and 28
Frank Kimbrough: Monk’s Dreams
Sunnyside Records CD Release Monk’s Dreams (six-cd field set; they recorded each composition Monk wrote)
Frank Kimbrough – piano
Scott Robinson – saxophone
Rufus Reid – bass
Billy Drummond – drums

Dec. 6 to 9
Ben Wendel Seasons Band
Gilad Hekselman – guitar
Taylor Eigsti – piano
Harish Raghavan- bass
Eric Harland – drums

PS: On that journey final September, since I used to be leaping from venue to venue every night time, I additionally caught 4 reveals at Smalls Jazz Club — pianists Harold Mabern and Pete Malinverni, and the band of bassist Matt Brewer, which included Mark Turner, trumpeter Marquis Hill, pianist David Virelles and drummer Damion Reid, plus the quartet of saxophonist Remy LeBoeuf, which included pianist Aaron Parks. I additionally noticed an particularly free (as in musically free) set by David Binney, Chris Potter, Donny McCaslin, Ben Monder, Jon Escreet, Thomas Morgan and Dan Weiss at Nublu, within the East Village. As for my recollections of these reveals, the pictures under could have to do.


Harold Mabern, hitting arduous at Smalls in September 2017


David Binney et al at a September 2017 gig in NYC.

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